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I caught a few scenes of
Gloria (1980) while flipping through the channels. I kept flipping back (I was also reading and watching some college football) to the film because of a two performances: Gloria, the bad ass mama ex-gangster girlfriend, played by Gena Rowlands and Phil Dawn, a young kid who loses his p
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arents to the mob, by John Adames. Rowlands, whom I remembered from
The Mighty, is wonderful, a rare tough female role who isn’t merely a femme fatal nor a wacko—just tough. In only a few scenes the young (6 or 7?) kid blew me away: “I’m the man . . . you ain’t the man . . . I love you to death” he says with a high pitched voice to the bad ass mama. It was terrible acting but it cracked me up. Later, while traveling alon
e to Pittsburg after Gloria’s leaves him to settle the score with the mob, several hundred dollar bills rolled up in his sock, he approaches a ticket window: “Pictsburg” he says. Sadly, with Holden Caulfield like mourning for the ducks, it seems little John never acted again.
My wife will never understand why I enjoy checking in to a film already in progress, watching a few minutes here and there, maybe catching the closing scene. She does have a legitimate point. I still don't fully understand the plot of
Gloria but I got the essence of it I think--a tough love kind of relationship between an older woman whose had a hard life and young kid who now has something to believe it. For me it’s like tasting different foods; now I’ve partook of
Gloria and it was good, not good enough to slide it onto my Netflix Queue but a nice little bedtime snack, something I wouldn’t have experienced without a bit of flipping.
1 comment:
I am a big fan of dipping into movies. I particularly like to do this with movies I've seen before. "This is a good part," I like to say, before watching a small grimace on one actor's face, the moment (or at least _a_ moment) I loved from the film.
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